Henry Miller is waiting for his cue to go on stage. He is about to become Aiden Bennington, a condescending trust-fund brat. But before that, there is a moment in which he is neither himself, nor an
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I look out the car window
across night fields
squinting; I can see
lives I never lived
I drive on, into the village,
into the rain
a traffic light turns red;
I see Picasso-people
walking in the raindrops
running down the window
the crescent moon is thin
a fingernail clipping
pointless, almost;
there are no stars
a canal-bank heron becomes illuminated
by the headlights
as I pass;
I wonder why
it is not afraid
across night fields
squinting; I can see
lives I never lived
I drive on, into the village,
into the rain
a traffic light turns red;
I see Picasso-people
walking in the raindrops
running down the window
the crescent moon is thin
a fingernail clipping
pointless, almost;
there are no stars
a canal-bank heron becomes illuminated
by the headlights
as I pass;
I wonder why
it is not afraid
7