Raymond G. Dandridge was nicknamed “The Paul Laurence Dunbar of Cincinnati” because his use of dialect and his subject matter closely matched that of 1900s poet Paul Laurence Dunbar. Dandridge emulated Dunbar’s works, but he also took part in the 1920s Harlem Renaissance, using his art as a means for the social advancement of blacks. Despite his relative seclusion from Harlem, New York, and the world in general due to paralysis, Dandridge kept his poetry vivid and relevant.