Kilmeny MacMichael writes from a small town in western Canada's Okanagan valley. With over two dozen short publications, including with Cirque and Arachne Press, she is happy to appear again through Short Édition. "Madacamia" is in Short Circuit #09, Short Édition's quarterly review.

At first, it seemed a movement of
spontaneous joy;
a pause,
a stretch of arms and hands,
a bending,
then
quick steps along the hardwood floor
and a glide

A purposeful turn, pause
and then back
step and slide,
turn, pause, again;
slide step
faster steps, longer, more assured,
slide steps, again

Gaining speed and strength,
quick steps, glides,
socks and polish
gathering glad

In quiet, in merciful twilight,
concentration in feet,
a flash of teeth, a smile?

The one who watches wonders,
"Is there music I cannot hear?"

Quick steps and long glides,
tilting turns;
small, precious exuberances
back, forth, again, again

again

A dancer who does not know
the one who watches is there,
thinking, at last, even just
for this moment, they are blithe

Yet, while they watch,
exaggerated, playful grace becomes
something faster, harder;
anger grows in stretching fingers,
each run inclines more ferocious,
each glide demands more
and each
stops short of desire

The dancer throws against
the friction of the feet,
the resistance of the floor,
each run and slide
protest
wordless unmet plea

Over and over
the watcher's dread does not know
what to do
stay silent, go, offer comfort or no

at first it seemed a movement of joy
at first it was

Now the fathomless desperation wells
in their love
the dancer's rising tears clear
in the way they twist
precariously
against the dark

A pause
a stretch of arms and hands
a bending then
quick steps along the hardwood floor.

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